The remembrances undergo renditions as they are copied and re-drawn by me. The process of memory-making and narrative creation alternates through the consolidation of the drawings and memories, the exchange between participant and artist, and the edits by the artist who decides what remains in the final compositions. These recorded memories are not only residuals of the liminal recollection of a place too far away in memory. They also undergo selection processes and reworkings, participating in a multiphase activity of excavation, falsification, and selection. Through layers of mediation, translation, and mistranslation, at what time does not offer a straightforward representation or an authentic testimonial voice of a subject as a way to articulate unfinished experiences.

at what time, pencil on rice paper, 9 x 10 inches, 2019-ongoing (currently at 12 sheets)